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	<title>Comments on: Fintan on Joe</title>
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	<link>http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/</link>
	<description>An Irish woman's social, political and domestic commentary</description>
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		<title>By: Sarah</title>
		<link>http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/comment-page-1/#comment-96745</link>
		<dc:creator>Sarah</dc:creator>
		<pubDate>Mon, 30 Jul 2007 18:25:14 +0000</pubDate>
		<guid isPermaLink="false">http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/#comment-96745</guid>
		<description>LOL. Great Gerry.
Personally I&#039;m still coping with Joseph&#039;s hit list.
Also I&#039;ve discovered Country Mix 106.8 where they play songs like Islands in the Stream. That cheered me up no end. It&#039;s such a shame I can&#039;t sing. You wouldn&#039;t be able to keep me away from the kariokes....</description>
		<content:encoded><![CDATA[<p>LOL. Great Gerry.<br />
Personally I&#8217;m still coping with Joseph&#8217;s hit list.<br />
Also I&#8217;ve discovered Country Mix 106.8 where they play songs like Islands in the Stream. That cheered me up no end. It&#8217;s such a shame I can&#8217;t sing. You wouldn&#8217;t be able to keep me away from the kariokes&#8230;.</p>
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		<title>By: Gerry</title>
		<link>http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/comment-page-1/#comment-96728</link>
		<dc:creator>Gerry</dc:creator>
		<pubDate>Mon, 30 Jul 2007 17:16:31 +0000</pubDate>
		<guid isPermaLink="false">http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/#comment-96728</guid>
		<description>Bates is  good Tom, I&#039;ll grant you. But for me the Gibb&#039;s work on Saturday Night Fever with a Fifth of Beethoven actually surpasses the original. Beethoven could write a tune but try dancing to it.</description>
		<content:encoded><![CDATA[<p>Bates is  good Tom, I&#8217;ll grant you. But for me the Gibb&#8217;s work on Saturday Night Fever with a Fifth of Beethoven actually surpasses the original. Beethoven could write a tune but try dancing to it.</p>
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		<title>By: tom</title>
		<link>http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/comment-page-1/#comment-96712</link>
		<dc:creator>tom</dc:creator>
		<pubDate>Mon, 30 Jul 2007 15:20:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/#comment-96712</guid>
		<description>Don&#039;t knock it Gerry, &#039;Bates&#039; is a top class arranger and I am sure Beethoven&#039;s music is immeasurably improved thanks to his input.

&quot;Arranging&quot; Beethoven is like re-writing Shakespeare.</description>
		<content:encoded><![CDATA[<p>Don&#8217;t knock it Gerry, &#8216;Bates&#8217; is a top class arranger and I am sure Beethoven&#8217;s music is immeasurably improved thanks to his input.</p>
<p>&#8220;Arranging&#8221; Beethoven is like re-writing Shakespeare.</p>
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		<title>By: The Crewser</title>
		<link>http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/comment-page-1/#comment-96711</link>
		<dc:creator>The Crewser</dc:creator>
		<pubDate>Mon, 30 Jul 2007 15:12:14 +0000</pubDate>
		<guid isPermaLink="false">http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/#comment-96711</guid>
		<description>The light hearted banter is all very fine but somebody&#039;s life was ended and that is a serious matter. I find it absolutely unacceptable that after the decision has been handed down, the vultures in the tabloid media here and in some broadsheets also are hounding people who were involved as witnesses in the trial. There was a time when this type of thing would happen in the UK but now it seems our lot are determined to win the race to the bottom when it comes to gutter journalism. Some controls are called for as a matter of urgency to cutail what we have witnessed in sections of the media over the last week and particularly this past weekend.</description>
		<content:encoded><![CDATA[<p>The light hearted banter is all very fine but somebody&#8217;s life was ended and that is a serious matter. I find it absolutely unacceptable that after the decision has been handed down, the vultures in the tabloid media here and in some broadsheets also are hounding people who were involved as witnesses in the trial. There was a time when this type of thing would happen in the UK but now it seems our lot are determined to win the race to the bottom when it comes to gutter journalism. Some controls are called for as a matter of urgency to cutail what we have witnessed in sections of the media over the last week and particularly this past weekend.</p>
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		<title>By: Gerry</title>
		<link>http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/comment-page-1/#comment-96686</link>
		<dc:creator>Gerry</dc:creator>
		<pubDate>Mon, 30 Jul 2007 13:46:04 +0000</pubDate>
		<guid isPermaLink="false">http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/#comment-96686</guid>
		<description>what do you think of the argument that the composer wrote (in most cases) a complete work and that to listen to it &#039;properly&#039; you should listen to the whole piece?

It is the equivalent of reading one of those Penguin 70 page extracts and saying you have read the best bit of Catch 22 and never reading the book.

Have you used these compilation CDs as gateways into the main pieces or just left it at enjoying the Hamlet ad music? Not that there is anything wrong with that - I have just never come across anyone recommending music in the way you have without joking. It&#039;s very refreshing .</description>
		<content:encoded><![CDATA[<p>what do you think of the argument that the composer wrote (in most cases) a complete work and that to listen to it &#8216;properly&#8217; you should listen to the whole piece?</p>
<p>It is the equivalent of reading one of those Penguin 70 page extracts and saying you have read the best bit of Catch 22 and never reading the book.</p>
<p>Have you used these compilation CDs as gateways into the main pieces or just left it at enjoying the Hamlet ad music? Not that there is anything wrong with that &#8211; I have just never come across anyone recommending music in the way you have without joking. It&#8217;s very refreshing .</p>
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		<title>By: Joseph</title>
		<link>http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/comment-page-1/#comment-96374</link>
		<dc:creator>Joseph</dc:creator>
		<pubDate>Sun, 29 Jul 2007 08:49:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/#comment-96374</guid>
		<description>Curiously enough I notice that Fintan O Foolish [I like and often agree with him but sometimes he is just a fool!] had another interesting piece in the Irish Times about the Roma people within Europe and some related issues. he mentioned a story involving Franz Lizt and this caught my attention because the collection I suggested has within it

&quot; 8. Liszt Hungarian Rhapsody No.2
Philharmonia Orchestra, Herbert von Karajan 1959&quot;

The notes on the jacket for this CD go on to say the following

&quot;Lizt grew up in a part of western Hungary surrounded by Gipsy encampments. In later life he visited them and studied their music. This spectacular showpiece embodies all the danger,color,gaudy excitment and noisy abandon of genuine gipsy music and does indeed incorporate several authentic tunes&quot;

The point being that music be it classical  or otherwise  is at the end of the day music and is not some narrow field exsiting all on its own.

How amusing to think that the great LIZT studied their music! Well why wouldnt he if it was any good? Evidently it was and had some &quot;classical&quot; value!</description>
		<content:encoded><![CDATA[<p>Curiously enough I notice that Fintan O Foolish [I like and often agree with him but sometimes he is just a fool!] had another interesting piece in the Irish Times about the Roma people within Europe and some related issues. he mentioned a story involving Franz Lizt and this caught my attention because the collection I suggested has within it</p>
<p>&#8221; 8. Liszt Hungarian Rhapsody No.2<br />
Philharmonia Orchestra, Herbert von Karajan 1959&#8243;</p>
<p>The notes on the jacket for this CD go on to say the following</p>
<p>&#8220;Lizt grew up in a part of western Hungary surrounded by Gipsy encampments. In later life he visited them and studied their music. This spectacular showpiece embodies all the danger,color,gaudy excitment and noisy abandon of genuine gipsy music and does indeed incorporate several authentic tunes&#8221;</p>
<p>The point being that music be it classical  or otherwise  is at the end of the day music and is not some narrow field exsiting all on its own.</p>
<p>How amusing to think that the great LIZT studied their music! Well why wouldnt he if it was any good? Evidently it was and had some &#8220;classical&#8221; value!</p>
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		<title>By: Joseph</title>
		<link>http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/comment-page-1/#comment-96373</link>
		<dc:creator>Joseph</dc:creator>
		<pubDate>Sun, 29 Jul 2007 08:33:14 +0000</pubDate>
		<guid isPermaLink="false">http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/#comment-96373</guid>
		<description>No I dont have shares in the makers/producers of these CD collections!


Just a passion for good music and as I said before I defy anyone to say this is a bad selection. Does it have everything? NOPE!

But it is a darn good overview from which to learn even more.</description>
		<content:encoded><![CDATA[<p>No I dont have shares in the makers/producers of these CD collections!</p>
<p>Just a passion for good music and as I said before I defy anyone to say this is a bad selection. Does it have everything? NOPE!</p>
<p>But it is a darn good overview from which to learn even more.</p>
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		<title>By: Joseph</title>
		<link>http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/comment-page-1/#comment-96369</link>
		<dc:creator>Joseph</dc:creator>
		<pubDate>Sun, 29 Jul 2007 08:28:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/#comment-96369</guid>
		<description>* 1. Tchaikovsky
      Violin Concerto
      Christian Ferras, Philharmonia Orchestra, Constantin Silvestri 1958
    * 2. Sibelius
      March (alla marcia) from Karelia Suite
      Halle Orchestra, Sir John Barbirolli 1966
    * 3. Verdi
      Anvil Chorus from Il Trovatore
      Ambrosian Singers, Philharmonia Orchestra, Riccardo Muti 1986
    * 4. Berlioz
      Hungarian March from The Damnation of Faust
      Philharmonia Orchestra, Herbert von Karajan 1959
    * 5. Prokofiev
      Finale from Classical Symphony
      London Symphony Orchestra, Andre Previn 1978
    * 6. Delibes
      Waltz from Coppelia
      New Philharmonia Orchestra, Sir Charles Mackerras 1970
    * 7. Catalani
      Ebben? Ne andro lontano from La Wally
      Ghena Dimitrova, Munich Radio Orchestra, Lamberto Gardelli 1984
    * 8. Liszt
      Hungarian Rhapsody No.2
      Philharmonia Orchestra, Herbert von Karajan 1959
    * 9. Grieg
      Piano Concerto
      Cecile Ousset, London Symphony Orchestra, Sir Neville Marriner 1985
    * 10. Beethoven
      Turkish march from The Ruins of Athens
      Philharmonia Orchestra, Efrem Kurtz 1960
    * 11. Wagner
      The Flying Dutchman Overture
      London Philharmonic Orchestra, Sir Adrian Boult 1973
    * 12. Smetana
      Dance of the Comedians from The Bartered Bride
      Royal Philharmonic Orchestra, Rudolf Kempe 1960
    * 13. Verdi
      Force of Destiny Overture
      Orchestra of La Scala Milan, Riccardo Muti 1987
    * 14. Britten
      Young Person&#039;s Guide to the Orchestra
      Minnesota Orchestra, Neville Marriner 1983
    * 15. Mussorgsky
      Promenade and The Great Gate of Kiev from Pictures at an Exhibition
      The Philadelphia Orchestra, Riccardo Muti 1978</description>
		<content:encoded><![CDATA[<p>* 1. Tchaikovsky<br />
      Violin Concerto<br />
      Christian Ferras, Philharmonia Orchestra, Constantin Silvestri 1958<br />
    * 2. Sibelius<br />
      March (alla marcia) from Karelia Suite<br />
      Halle Orchestra, Sir John Barbirolli 1966<br />
    * 3. Verdi<br />
      Anvil Chorus from Il Trovatore<br />
      Ambrosian Singers, Philharmonia Orchestra, Riccardo Muti 1986<br />
    * 4. Berlioz<br />
      Hungarian March from The Damnation of Faust<br />
      Philharmonia Orchestra, Herbert von Karajan 1959<br />
    * 5. Prokofiev<br />
      Finale from Classical Symphony<br />
      London Symphony Orchestra, Andre Previn 1978<br />
    * 6. Delibes<br />
      Waltz from Coppelia<br />
      New Philharmonia Orchestra, Sir Charles Mackerras 1970<br />
    * 7. Catalani<br />
      Ebben? Ne andro lontano from La Wally<br />
      Ghena Dimitrova, Munich Radio Orchestra, Lamberto Gardelli 1984<br />
    * 8. Liszt<br />
      Hungarian Rhapsody No.2<br />
      Philharmonia Orchestra, Herbert von Karajan 1959<br />
    * 9. Grieg<br />
      Piano Concerto<br />
      Cecile Ousset, London Symphony Orchestra, Sir Neville Marriner 1985<br />
    * 10. Beethoven<br />
      Turkish march from The Ruins of Athens<br />
      Philharmonia Orchestra, Efrem Kurtz 1960<br />
    * 11. Wagner<br />
      The Flying Dutchman Overture<br />
      London Philharmonic Orchestra, Sir Adrian Boult 1973<br />
    * 12. Smetana<br />
      Dance of the Comedians from The Bartered Bride<br />
      Royal Philharmonic Orchestra, Rudolf Kempe 1960<br />
    * 13. Verdi<br />
      Force of Destiny Overture<br />
      Orchestra of La Scala Milan, Riccardo Muti 1987<br />
    * 14. Britten<br />
      Young Person&#8217;s Guide to the Orchestra<br />
      Minnesota Orchestra, Neville Marriner 1983<br />
    * 15. Mussorgsky<br />
      Promenade and The Great Gate of Kiev from Pictures at an Exhibition<br />
      The Philadelphia Orchestra, Riccardo Muti 1978</p>
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		<title>By: Joseph</title>
		<link>http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/comment-page-1/#comment-96366</link>
		<dc:creator>Joseph</dc:creator>
		<pubDate>Sun, 29 Jul 2007 08:27:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/#comment-96366</guid>
		<description>* 1. Beethoven
      Piano Concerto No.5 &#039;Emperor&#039;
      Emil Gilels, The Cleveland Orchestra, George Szell 1968
    * 2. Mendelssohn
      The Hebrides
      London Symphonic Orchestra, Andre Previn 1979
    * 3. Rimsky-Korsakov
      The Young Prince and The Young Princess from Scheherazade
      The Philadelphia Orchestra, Riccardo Muti 1983
    * 4. Prokofiev
      Peter and the Wolf
      London Philharmonic Orchestra, Sian Edwards 1990
    * 5. Bizet
      Farandole from L&#039;Arlesienne
      Philharmonia Orchestra, Herbert von Karajan 1959
    * 6. Tchaikovsky
      Trepak (Russian Dance) from The Nutcracker
      Royal Philharmonic Orchestra, Andre Previn 1986
    * 7. Luigini
      Ballet Egyptian
      Royal Philharmonic Orchestra, Anatole Fistoulari 1959
    * 8. Rimsky-Korsakov
      The Flight of the Bumble Bee
      ASMF, Sir Neville Marriner 1987
    * 9. Ponchielli
      Dance of the Hours
      Sinfonia of London, Robert Irving 1961
    * 10. Khachaturian
      Sabre Dance from Gayaneh
      London Symphony Orchestra, Aram Khachaturian 1977
    * 11. Dukas
      The Sorcerer&#039;s Apprentice
      Oslo Philharmonic Orchestra, Mariss Jansons 1990
    * 12. Stravinsky
      The Rite of Spring
      The Philadelphia Orchestra, Riccardo Muti 1979
    * 13. Chabrier
      Espana
      The Philadelphia Orchestra, Riccardo Muti 1980
    * 14. Tchaikovsky
      Italian Caprice
      Philharmonia Orchestra, Paul Kletzki 1959
    * 15. Beethoven
      Symphony No.9 &#039;Choral&#039;
      James Morris, The Westminster Choir, the Philadelphia Orchestra, Riccardo Muti 1988</description>
		<content:encoded><![CDATA[<p>* 1. Beethoven<br />
      Piano Concerto No.5 &#8216;Emperor&#8217;<br />
      Emil Gilels, The Cleveland Orchestra, George Szell 1968<br />
    * 2. Mendelssohn<br />
      The Hebrides<br />
      London Symphonic Orchestra, Andre Previn 1979<br />
    * 3. Rimsky-Korsakov<br />
      The Young Prince and The Young Princess from Scheherazade<br />
      The Philadelphia Orchestra, Riccardo Muti 1983<br />
    * 4. Prokofiev<br />
      Peter and the Wolf<br />
      London Philharmonic Orchestra, Sian Edwards 1990<br />
    * 5. Bizet<br />
      Farandole from L&#8217;Arlesienne<br />
      Philharmonia Orchestra, Herbert von Karajan 1959<br />
    * 6. Tchaikovsky<br />
      Trepak (Russian Dance) from The Nutcracker<br />
      Royal Philharmonic Orchestra, Andre Previn 1986<br />
    * 7. Luigini<br />
      Ballet Egyptian<br />
      Royal Philharmonic Orchestra, Anatole Fistoulari 1959<br />
    * 8. Rimsky-Korsakov<br />
      The Flight of the Bumble Bee<br />
      ASMF, Sir Neville Marriner 1987<br />
    * 9. Ponchielli<br />
      Dance of the Hours<br />
      Sinfonia of London, Robert Irving 1961<br />
    * 10. Khachaturian<br />
      Sabre Dance from Gayaneh<br />
      London Symphony Orchestra, Aram Khachaturian 1977<br />
    * 11. Dukas<br />
      The Sorcerer&#8217;s Apprentice<br />
      Oslo Philharmonic Orchestra, Mariss Jansons 1990<br />
    * 12. Stravinsky<br />
      The Rite of Spring<br />
      The Philadelphia Orchestra, Riccardo Muti 1979<br />
    * 13. Chabrier<br />
      Espana<br />
      The Philadelphia Orchestra, Riccardo Muti 1980<br />
    * 14. Tchaikovsky<br />
      Italian Caprice<br />
      Philharmonia Orchestra, Paul Kletzki 1959<br />
    * 15. Beethoven<br />
      Symphony No.9 &#8216;Choral&#8217;<br />
      James Morris, The Westminster Choir, the Philadelphia Orchestra, Riccardo Muti 1988</p>
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		<title>By: Joseph</title>
		<link>http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/comment-page-1/#comment-96365</link>
		<dc:creator>Joseph</dc:creator>
		<pubDate>Sun, 29 Jul 2007 08:27:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.sarahcarey.ie/2007/07/24/fintan-on-joe/#comment-96365</guid>
		<description>* 1. Dvorak arr Bates
      Symphony No.9
      Oslo Philharmonic Orchestra, Mariss Jansons 1989
    * 2. Smetana
      Vltava from My Country
      Staatskapelle Dresden, Paavo Berglund 1979
    * 3. Rossini arr. Bates
      The Barber of Seville Overture
      Philharmonia Orchestra, Riccardo Muti 1980
    * 4. Verdi
      Brindisi from La Traviata
      Alfredo Kraus, Renata Scotto, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti 1982
    * 5. J Strauss II arr, Bates
      Die Fledermaus Overture
      Munich Radio Orchestra, Placido Domingo 1986
    * 6. Mendelssohn arr. Bates
      Symphony No.4 &#039;Italian&#039;
      Berlin Philharmonic Orchestra, Klaus Tennstedt 1980
    * 7. Tchaikovsky
      Tea (Chinese Dance) from The Nutcracker Ballet
      Royal Philharmonic Orchestra, Andre Previn 1986
    * 8. Chopin
      Minute Waltz
      Dimitri Alexeev 1985
    * 9. Mozart arr. Bates
      Symphony No.40
      ASMF, Sir Neville Marriner 1987
    * 10. Elgar
      Chanson de Matin
      London Philharmonia Orchestra, Sir Adrian Boult 1977
    * 11. Rodrigo
      Adagio from Concierto de Aranjuez
      Angel Romero, London Symphony Orchestra, Andre Previn 1977
    * 12. Elgar
      Symphony No.1
      London Philharmonic Orchestra, Sir Adrian Boult 1977
    * 13. Villa-Lobos
      Aria (Cantilena) from Bachianas Brasileiras No.5
      Barbara Hendricks, Royal Philharmonic Orchestra, Enrique Batiz 1986
    * 14. Bizet arr. Bates
      In the Depths of the Temple from The Pearl Fishers
      Ernest Blanc, Nicolai Gedda, Paris National Theatre Orchestra, Pierre Dervaux 1961
    * 15. Debussy
      Clair de Lune from Suite Bergamasque
      Daniel Adni 1972
    * 16. Leoncavallo
      Vesti la Giubba from Pagliacci
      Jose Carreras, Philharmonia Orchestra, Riccardo Muti 1978
    * 17. Verdi
      Va Pensiero (Chorus of the Hebrew Slaves) from Nabucco
      Ambrosian Opera Chorus Philharmonia Orchestra, Riccardo Muti 1978
    * 18. JS Bach
      Sleep May Safely Graze
      ASMF, Sir Neville Marriner 1984</description>
		<content:encoded><![CDATA[<p>* 1. Dvorak arr Bates<br />
      Symphony No.9<br />
      Oslo Philharmonic Orchestra, Mariss Jansons 1989<br />
    * 2. Smetana<br />
      Vltava from My Country<br />
      Staatskapelle Dresden, Paavo Berglund 1979<br />
    * 3. Rossini arr. Bates<br />
      The Barber of Seville Overture<br />
      Philharmonia Orchestra, Riccardo Muti 1980<br />
    * 4. Verdi<br />
      Brindisi from La Traviata<br />
      Alfredo Kraus, Renata Scotto, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti 1982<br />
    * 5. J Strauss II arr, Bates<br />
      Die Fledermaus Overture<br />
      Munich Radio Orchestra, Placido Domingo 1986<br />
    * 6. Mendelssohn arr. Bates<br />
      Symphony No.4 &#8216;Italian&#8217;<br />
      Berlin Philharmonic Orchestra, Klaus Tennstedt 1980<br />
    * 7. Tchaikovsky<br />
      Tea (Chinese Dance) from The Nutcracker Ballet<br />
      Royal Philharmonic Orchestra, Andre Previn 1986<br />
    * 8. Chopin<br />
      Minute Waltz<br />
      Dimitri Alexeev 1985<br />
    * 9. Mozart arr. Bates<br />
      Symphony No.40<br />
      ASMF, Sir Neville Marriner 1987<br />
    * 10. Elgar<br />
      Chanson de Matin<br />
      London Philharmonia Orchestra, Sir Adrian Boult 1977<br />
    * 11. Rodrigo<br />
      Adagio from Concierto de Aranjuez<br />
      Angel Romero, London Symphony Orchestra, Andre Previn 1977<br />
    * 12. Elgar<br />
      Symphony No.1<br />
      London Philharmonic Orchestra, Sir Adrian Boult 1977<br />
    * 13. Villa-Lobos<br />
      Aria (Cantilena) from Bachianas Brasileiras No.5<br />
      Barbara Hendricks, Royal Philharmonic Orchestra, Enrique Batiz 1986<br />
    * 14. Bizet arr. Bates<br />
      In the Depths of the Temple from The Pearl Fishers<br />
      Ernest Blanc, Nicolai Gedda, Paris National Theatre Orchestra, Pierre Dervaux 1961<br />
    * 15. Debussy<br />
      Clair de Lune from Suite Bergamasque<br />
      Daniel Adni 1972<br />
    * 16. Leoncavallo<br />
      Vesti la Giubba from Pagliacci<br />
      Jose Carreras, Philharmonia Orchestra, Riccardo Muti 1978<br />
    * 17. Verdi<br />
      Va Pensiero (Chorus of the Hebrew Slaves) from Nabucco<br />
      Ambrosian Opera Chorus Philharmonia Orchestra, Riccardo Muti 1978<br />
    * 18. JS Bach<br />
      Sleep May Safely Graze<br />
      ASMF, Sir Neville Marriner 1984</p>
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